All students are expected to abide by all rules and regulations established by the DSU Digital Film Faculty and Staff.
1. USE OF DEPARTMENT EQUIPMENT/FACILITIES:
Department equipment and production/post-production facilities are to be used for class projects ONLY. DSU Film students are prohibited to allow anyone, other than fellow classmates, to handle, store, or operate department equipment.
2. STUDENTS MUST meet with Ben Braten and Judea Runs Through in order to get approval for a student project. This meeting will be used to help the student tentatively schedule the production and equipment checkout. And if needed suggested crew members to run camera, audio, or G&E. You MUST have an approved Crew List before your equipment request will be considered.
3. EQUIPMENT AND FACILITY RESERVATIONS
Students should email their reservation requests with Judea (firstname.lastname@example.org) at least 3 days (72 hours) prior to checking-out equipment. The 72-HOUR RULE will be strictly enforced! (If you want to use any of the school facilities you should speak with Christina Merrill.)
EQUIPMENT RESERVATION FORMAT EMAIL
Subject line must only include: Check out date, Student’s Name, and Class/Production
Sample: 11/15/18 – Your Name – FILM 3400/Music Video
The body should include: date of checkout, an organized list of equipment requested, and a Crew List. (you can download the PDF files and use preview or another PDF reader to fill them out. They are all fillable. And please SAVE AS with your name and shoot date in the file name ex. YourNameDateCrewList.pdf)
The following is my request for checkout 11/15/18 at 12pm. I have attached my equipment request list, a crew list and my call sheet.
Your Name + Email + Cell Phone # (one item per line)
IMPORTANT NOTES: 1) When sending in an update or revision to a reservation request, note this at the top of the BODY of your email: “*** THIS IS A REVISION TO AN EXISTING RESERVATION REQUEST” (not in the subject line). 2) You should consider making a request a WEEK in advance to guarantee your reservation. This includes gear, studios, and rooms. 3) You should also consider making a Call Sheet for each shoot day.
Productions from DSU Film students can be viewed here:
DSU films and the Dixie Digital Film department strive to bring students a well rounded film education by encouraging the participation in DOCUTAH, DSU’s own documentary film festival which showcases films from all over the world. DOCUTAH celebrates the art of documentary filmmaking, connecting Dixie State University and the community to the world. DOCUTAH offers a unique, entertaining International Documentary Film Festival and year-round programs providing creative, cultural, and educational engagement.
317 S. Donlee Drive
A little history on the old airplane Hangar:
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Made by DSU Films
DSU Films was designated as a public/private partnership by the Utah State Legislature in 2012. As such it functions as an integral part of the Digital Film Degree at Dixie State University, supplementing the program’s academic offerings.
Our students benefit from DSU Film’s outreach to the commercial production world, working professionally with clients, our faculty and staff to further develop skills that they learn in the classroom. In addition, the compensation received for this work is vital to the growth of the Digital Film Degree. All profits are used to purchase equipment and facility improvement to prepare our students for the technological advancements of current Digital Film production.
DSU Film’s mission is to provide students with real-world experience in their chosen field and add financial stability to a program which is growing toward Film School status; the future Dixie State University College of Cinematic Arts.
Phil Tuckett worked at NFL Films for 35 years, served as V.P. of Special Projects and won 30 Emmy Awards for cinematography, writing, editing and directing. Phil’s ventures outside the world of football include music videos for such musicians as Santana, Metallica, Def Leppard, B.B. King and Stevie Ray Vaughn, along with national commercial spots for Sprint and Reebok and documentary films for the TNT and History Channel networks.
Ben Braten has been working behind the camera for the past 12 years, directing and lensing commercials, documentaries, short films and the occasional narrative. He satisfies his obsessive compulsive urges by locking himself away in dark edit suites for days at a time and running post on everything he shoots. He is well versed in a variety of NLE systems as well as sound finishing and color correction processes.
He teaches production and post-production courses at Dixie State University and, in his spare time, is pursuing an MFA in photography.
Christina Merrill brings sanity and order to all the projects DSU Films tackles, and is integral to keeping things on track and under budget. Christina is critical to balancing the logistics and rigors of our business and academic obligations.
Tisa Zito has been experimenting with a camera since she was a child. Her education began at Hofstra University as a photojournalist. She graduated with a Visual Communications degree at Monroe Community then studied film at Maryland Institute college of the Arts in Baltimore, MD. She obtained her Bachelors of Film and Animation with an emphasis in Documentary production at Rochester Institute of Technology in Rochester, NY. She has worked for KEZI channel 9 News in Oregon and runs her own company Old Soul Productions working with companies such as The Boy Scouts of America, Project Lean Nation, and MDVIP. She has a deep passion for documentary film, character and story development. Tisa divides her time between shooting and editing and dabbles in writing. She is a NOLS graduate and lover of the outdoors and travel.
Judea Runs Through fills in the gaps. While she manages DSU’s arsenal of equipment, she can also be found operating cameras, running sound, logging and editing footage, assisting on student shoots, and taking behind the scene photos. Judea has worked on a variety of professional shoots both through DSU Films and in the film industry. Her favorite task is that of AC (assistant camera) and she stresses the organization needed for a successful production. That being said, Judea thrives on the excitement of not knowing what her job will be from day-to-day. She can go from hiking to find the perfect spot, scouring brush for just the right divining rod, to filming time-lapsed sunsets all within the same week.